Using just a little digital photo editing can make a dramatic difference in the impact your photos have. Have you ever wondered how come the professional photographers images look so amazing. Well, as a pro I can tell you it's not all about the talent photographers have or the equipment they use.
Stick around. I'll show you what I mean.
There are a lot of factors that go into a winning photograph no doubt. There's lighting, composition, lens and camera selection, and of course choosing a good subject. Putting that all aside, You can turn an average photo into a spectacular photo with photo editing software.
Here is the list of how professional photographers edit their photos.
You don't have to shoot in RAW mode in order to be able to edit them, but it makes a big difference if you do. Shooting RAW gives you more precise control over color balance, exposure, sharpness, contrast, as well as several other image adjustments.
A big additional benefit to shooting in RAW mode is that you can edit any single photo in many different ways.
Photoshop is by far the most well know and most often used. It's become so popular in fact that the word Photoshop is now a verb. You can "Photoshop" part of or an entire image in an infinite number of ways to improve it.
According to Statista, Photoshop has the largest market share in terms of how much is spent on it.
We won't dive deep into the subject of professional digital photo editing programs but here's just a sampling. In addition to Photoshop, other popular professional editing programs include Lightroom, DxO PhotoLab, and Corel Paintshop Pro.
Just like you and me, professional photographers take lousy photos too. You don't see the bad photos because photographers who earn money with their photography are unlikely to share their mistake photos with the public.
Secondly, they narrow down to edit just a few of the best photos out of all the images they shoot. Essentially, they're editing out poor quality, just like a writer who is editing out bad paragraphs in their novel.
It would be a waste of time to use software on the not-so-good images when there are plenty of better ones. Use only your better images to use editing software on.
There are two main categories of editing that pro shooters do. These include adjusting the overall image all at once and retouching only specific areas of their image individually.
This is just one example why, as a professional portrait photographer, I shoot RAW and how I do my photo editing.
SITUATION: I was setting up my lights while this young boy struck this pose before I was ready. I aimed my camera and took a quick photo. As you can see the original, unedited photo was overexposed.
I did a global adjustment of reducing the exposure and adjusting the color balance in the photo above to get this corrected and adorable photo below of this toddler and his older sister giggling at the situation.
Although it's a cute photo, my intent was to take an individual portrait of this young lad by himself. The final adjustments included cropping to make it a vertical composition and shading the edges of the cropped composition to get the individual portrait below.
One of the great advantages of shooting digital instead of shooting film is the many ways we can improve the photo before we print it or share it with friends and family.
Even professional portrait photographers like myself make plenty of photography mistakes, whether it's exposure or composition.
BAD EXPOSURE. Under and over exposure can be corrected in several ways. Underexposure is the most common mistake that needs editing. To learn how to fix AND, better yet, avoid it, go to Underexposed Photo Help.
In the photo above all of the lighter tones in the scene fooled the camera's automatic exposure metering and the resulting photo was underexposed. Camera's are programmed to give you good exposure for average scenes, but sometimes fall short with certain subjects.
Photoshop was used to add exposure and get a more pleasing photograph.
BAD COLOR BALANCE. Have you ever taken a digital photo and when you take a look at it, the color is very strange, unflattering or just wrong? Cameras are programmed to give a good average color tint for the average subject. You can change the color temperature.
POOR COMPOSITION. We're all guilty of grabbing the quick snapshot without taking the time to carefully compose each photo we take.
In the photo on the left, I couldn't get any closer to the primate with my zoom, so I used the crop tool in Photoshop to improve the composition. Notice I eliminated the distracting blue blob and simplified the photo. The primate is the main subject and cropping closer show it better and still has a background that looks appropriate.
I used a blurring retouching tool called Gaussian Blur, combined with some darkening and "cloning" in Adobe Photoshop to do the photo retouch in this photo of the two girls. Blurring and darkening just the background makes them stand out better because the background is less distracting.
Almost all digital photo editing software now comes with a button dedicated just to red eye removal. Usually you just set the size of the retouching brush to match the size of the red eye reflection. The tool then changes the color from reddish and mutes it or "desaturates" it to look more natural.
Photoshop is perhaps the granddaddy of all for photo editing tools used by professional photographers. It's used by pros in all the different types of professional photography, whether it's portraits and weddings, landscapes and nature, Let's take another look at an example, this time what a professional landscape photographer might do.
The side by side comparison of an unedited photo and its edited version show how much of a difference that even the simplest of editing tools can make. The original photo on the left, straight out of the camera, lacked in contrast because of the atmospheric haze.
The photo on the right was adjusted using curves in Photoshop. This is a powerful technique used to control both shadow and highlight contrast in your photograph. The photo on the right was then sharpened a bit to add a little more impact.
It's a unique technique that I use with my landscape photography and absolutely love the control I get in adjusting the image to what I envisioned when I observed and subsequently photographed the scene.
It takes a bit of experimenting to get to your desired result, but my adjustments to the curves often resemble a lazy "S" shape. This shape increases contrast in the shadow areas and the highlight areas, but has little effect on the mid-tones.
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